Magnetar Broadcast Kit — Studio
Tax included where applicable. Delivery, rigging and commissioning arranged by your concierge.
ELVARNIXO Cinema — light that holds a frame
Broadcast forgives nothing twice; the Magnetar is built on that memory — board-programmed looks, fixtures that match by serial, and a patch list your engineers will frame.
Cinema fixtures are infrastructure with an opinion about beauty. Yoke and pins are steel, rated and stamped; power supplies run mains or battery without complaint; and wireless DMX, RDM and local control coexist so the board operator and the ladder operator stop negotiating. Photometrics are measured, not estimated — lux at three metres you can plan a lighting plot around.
Design & Craft
- Fleet colour matching per serial — one truck, one light
- Redundant power paths for on-air certainty
- Steel yokes and pins, stamped ratings, insurer-friendly papers
- Firmware boots in seconds; presets survive power loss
- Photometrics measured at one, three and five metres — plot-ready
- Wireless DMX, RDM and local control that coexist politely
Specifications
| Scope | Full studio, 12+ fixtures |
| Presets | Programmed per camera position |
| Silence | Measured at the desk |
| Power | Redundant paths |
| Commissioning | Crew install + gallery handover |
| Weight | ≈ 79.1 kg |
| Warranty | 2 years, parts stocked 15 |
Care
Label discipline is system care: cables return to their runs, presets keep their names, and the plot on the wall stays current. Our crew re-certifies rigging and re-balances colour yearly; the studio should age like a lens, not a laptop.
Questions, Answered
Will your fixtures match our existing truck?
Send us your fleet list; we ship a match report with xy coordinates against your existing units before you commit.
Mains and battery?
Fixtures state their draw and battery options; the big guns run mains or 48 V block batteries with automatic derating rules described in the manual.
The ELVARNIXO Promise
Trade up within five years at an honest, published buy-back rate. Working photographers' equipment should hold its value the way it holds its colour.