Faro Rail System — Stage
Tax included where applicable. Delivery calculated at checkout.
ELVARNIXO Rigging — gravity, negotiated
A studio's ceiling is its best assistant; the Faro trains it — cables gone from the floor, lights travelling on rails like thoughts, and paperwork that studio insurance actually reads.
Overhead systems are engineered like the ceilings they hang from: rails rated with margin, carriages that glide under load, pantographs balanced so one hand moves what one hand should. Mounting must be to load-bearing structure by a qualified contractor — keep the installer's documentation, because studio insurance reads paperwork, not brochures.
Design & Craft
- Ceiling rails rated with margin; mount to load-bearing structure
- Carriages glide under load and lock without drama
- Knuckles bite without stripping — serviceable, spares available
- Load ratings stamped, tested at double before batches ship
- Mounting by a qualified contractor, arranged by the customer
- Statutory 24-month warranty; grip spares available
Specifications
| Coverage | To 120 m² stage |
| Rating | Engineered margin, certified |
| Carriages | Glide under load, locking |
| Mounting | By a qualified contractor; not included |
| Expansion | Junctions are catalogue parts |
| Weight | ≈ 142 kg |
| Warranty | Statutory 24 months under Czech law |
Care
Wipe risers dry after exteriors, keep knuckles free of grit, and a drop of dry lube on threads twice a year. Check load pins and safety cables before every overhead rig — thirty seconds that insurance adjusters never get to bill.
Questions, Answered
What are the real load ratings?
Stamped on the equipment and stated in the listing, tested at double before a batch ships. If you need more, rig bigger — never closer to the limit.
Will stands survive location work?
Steel and aircraft aluminium, stainless fasteners, and legs that level on real terrain. Our rental fleet is the torture test.
The ELVARNIXO Promise
Established systems keep their mounts and accessories compatible across generations — working photographers' equipment should hold its value the way it holds its colour.