Ganymede Broadcast Kit — Studio
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ELVARNIXO Cinema — light that holds a frame
The Ganymede kit lights a programme, not a room: presets per camera position, silence measured at the desk, redundant power for on-air certainty, and commissioning that ends with your gallery in control.
Cinema fixtures are infrastructure with an opinion about beauty. Yoke and pins are steel, rated and stamped; power supplies run mains or battery without complaint; and wireless DMX, RDM and local control coexist so the board operator and the ladder operator stop negotiating. Photometrics are stated as published by the manufacturer — lux at three metres you can plan a lighting plot around.
Design & Craft
- Board-programmed presets for every camera position
- Steel yokes and pins, stamped ratings, insurer-friendly papers
- Redundant power paths for on-air certainty
- Photometrics measured at one, three and five metres — plot-ready
- Mains and battery power with automatic derating rules
- Fleet colour matching within stated tolerances — one truck, one light
Specifications
| Scope | Full studio, 12+ fixtures |
| Presets | Programmed per camera position |
| Silence | Stated in specification |
| Power | Redundant paths |
| Set-up | Self-install with manufacturer's instructions |
| Weight | ≈ 69.6 kg |
| Warranty | Statutory 24 months under Czech law |
Care
Label discipline is system care: cables return to their runs, presets keep their names, and the plot on the wall stays current. Have rigging inspected regularly by a qualified rigger; the studio should age like a lens, not a laptop.
Questions, Answered
Mains and battery?
Fixtures state their draw and battery options; the big guns run mains or 48 V block batteries with automatic derating rules described in the manual.
Does it survive weather?
Weather-rated models carry their IP class in the specification; the rest tolerate a Czech drizzle but deserve a rain hat. Honest, like everything else in the listing.
The ELVARNIXO Promise
Established systems keep their mounts and accessories compatible across generations — working photographers' equipment should hold its value the way it holds its colour.