Pollux Broadcast Kit — Studio

ELVARNIXO Cinema — light that holds a frame

Broadcast forgives nothing twice; the Pollux is built on that memory — board-programmed looks, fixtures that match by serial, and a patch list your engineers will frame.

Everything on a stage gets dropped, rained on and rigged upside down; our cinema line assumes all three. Sealed housings where weather happens, connectors that lock, firmware that boots in seconds, and colour that matches across every fixture on the truck — because the expensive minute on set is the one spent explaining why two lights disagree.

Design & Craft

• Board-programmed presets for every camera position
• Firmware boots in seconds; presets survive power loss
• Fleet colour matching within stated tolerances — one truck, one light
• Photometrics measured at one, three and five metres — plot-ready
• Steel yokes and pins, stamped ratings, insurer-friendly papers
• Redundant power paths for on-air certainty

Specifications

Care

Run the studio's preset check monthly (five minutes, scripted), keep the patch list printed by the board, and vacuum floor pockets of gaffer-tape ghosts. Have circuits, presets and rails re-tested at a regular service by a qualified contractor.

Questions, Answered

Does it survive weather?
Weather-rated models carry their IP class in the specification; the rest tolerate a Czech drizzle but deserve a rain hat. Honest, like everything else in the listing.

Mains and battery?
Fixtures state their draw and battery options; the big guns run mains or 48 V block batteries with automatic derating rules described in the manual.

The ELVARNIXO Promise

Equipment ships boxed with the manufacturer's instructions — mounts, load limits and power requirements stated up front so you can plan your own rig.