ELVARNIXO

Riflesso Backdrop System — Three Roll

77.000,00 Kč

Tax included where applicable. Delivery, rigging and commissioning arranged by your concierge.

Measured per serialPhotometric and colour report ships in the box.
Commissioned by our crewRigged, cabled, balanced — and taught.
Fifteen-year partsTwo years labour; loaners while yours is on our bench.

ELVARNIXO Sets — the last thing in focus

Backdrops are scene changes for photographers; the Riflesso runs the theatre — wall, ceiling or truss mounted, controlled from a pocket remote, and honest about every roll weight it carries.

Backgrounds are the last thing in focus and the first thing clients notice. Our systems run seamless, canvas and effects rolls on motorised axles with silent controllers; cycloramas assemble from engineered modules into true, crack-free curves; and every surface takes paint, light and years of feet with equal patience.

Design & Craft

  • Motorised axles run silent under camera
  • Wall, ceiling and truss mount kits included
  • Roll weights rated honestly per axle
  • Multi-roll banks switch looks in seconds
  • Surfaces take paint, light and years of feet with patience

Specifications

Rolls 3, manual chain
Drive Silent under camera
Rating Per-axle roll weights stated
Mount Wall / ceiling / truss kits
Weight ≈ 20.0 kg
Warranty 2 years, parts stocked 15

Care

Keep castors clean of tape, roll fabrics loosely on their tubes, and let painted surfaces cure fully before the first shoot day. The controller logs motor hours — our riggers service drives at the yearly visit.

Questions, Answered

Can the backdrop system carry heavy canvas?
Roll weights and diameters are rated per axle in the specification, with motorised models stating torque honestly. Paper, canvas and effects rolls all have their numbers.

Will the cyclorama crack?
Not if it is built and painted as specified — engineered modules, movement joints and the coating system we supply. Ours haven't; that is why the spec is strict.

The ELVARNIXO Promise

Trade up within five years at an honest, published buy-back rate. Working photographers' equipment should hold its value the way it holds its colour.